I like
vinyl records.
All right, so it's an age thing. But it's also a
sensory thing.
Granted, Compact Discs offer music which is gloriously free of
clicks, hisses and crackle; but somehow a CD looks and feels less
satisfying than does its vinyl equivalent. Nowadays most CDs
come with their own unique label design, but in the vinyl era standard record
labels and uniform 7" company sleeves helped to establish a record company's
identity. Would early Vertigo records be so popular with collectors
nowadays if it wasn't for the black and white 'swirl' label, which they have in
common?
Of course, not every label was as well known or as successful as
Vertigo. For every company that lasted for years and issued hundreds
of records there were dozens which only managed to put a handful of singles out
before expiring. It is to the people behind these lesser companies
that this site is dedicated. As far as success is concerned, their
high hopes may soon have turned to low moans, but by their efforts they have
provided me with a hugely enjoyable hobby - trying to track down examples of
their product.
That I am not an expert in record company history will soon
become apparent; for goodness' sake don't take anything in these pages as
gospel. My only intention, when I started out, was to try to provide
pictures of as many of the record labels of the 1970s as possible, together with
a few scanty scraps of information about them. It soon became
apparent that even this basic aim was too ambitious. The number of
Reggae, Punk and New Wave labels which put records out during that decade was
astronomical; and, thirty years on, even when examples are available they are
horribly expensive - I don't mind shelling out a fiver for to get hold of a new label for
the site, but spending tens of pounds for a here-today-gone-tomorrow Punk label? It just
wasn't on. So I had to lower my sights. The revised aim was to
give every label that issued singles in the '70s at least a mention, with a
note as to what kind of music came out on it. Anything
more than that - pictures, discographies, the kind of company history that
you could fit onto the back of a stamp - was a bonus. I
have excluded two kinds of records: those made as promotional tools for
firms outside the music business such as Barclays Bank or the Burnley Building Society, on the grounds
that they're not proper labels (though examples can be found on the pages
of the record company through which they were made, Lyntone being
a prime example); and flexidiscs, because the vast majority were promotional items and
were given away. The occasional vinyl record promoting a business has been allowed to slip through, either on the
grounds of exceptional interest or because they have been given
a catalogue number outside the series used by the record company through which they were made.
I have tried to only include
labels which appeared on 7" singles in the United Kingdom. An LP
label may have occasionally slipped in, for the purposes of
comparison. On many occasions I haven't been able to get hold of a
picture of a label at all; wherever possible I have tried to provide links to
sites where a picture of it can be found. There
are several outstanding sites for music; to mention only a few the 45cat site has been set up
for the purpose of listing, and providing pictures of, as many vinyl singles as
possible, from all over the world; it has still got a long way to go to achieve
that admirable (and daunting!) aim, but it is well worth a browse, and
contributions are always welcome. Discogs.com includes album as well as singles, and has a buying / selling
facility; I can't get a link to work but you can easily google it. Seventies Sevens does not cover labels from the Republic of
Ireland, but those who are interested in Irish labels can find many interesting
illustrations on the Irish Showbands
site, while for Punk enthusiasts Bored Teenagers
has lots of stuff on obscure labels and on the bands which owned and operated
them.
Whenever the bulk of my information has been gleaned
from one particular site I have mentioned it at the end of the
text. Often the same information has appeared on many different
sites; I haven't given any references in those cases, in order to save space and
to avoid sending the reader off on a needless chase, but both Wikipedia and
Answers were useful on many of those occasions. Chart information
comes from 'The Guinness Book Of British Hit Singles 4', by Jo & Tim Rice,
Paul Gambaccini and Mike Read. Details about record company
affiliations, distributors and release dates have in the main been taken from
various 'Music Master' catalogues, published by John Humphries - an invaluable
source for anybody interested in '70s records, despite the fact that they
generally just list 'A' sides of singles. Most of the discographies
on this site have been put together with the help of those catalogues, which
explains the lack of 'B' sides in them; others are the result of hours and hours
of mindless googling and my failure to get a life. I have avoided
lifting discographies wholesale from other sites, as it seemed like cheating;
where I have used them to fill-in gaps in my own research I have stated
so. In a similar vein, I don't mind people borrowing stuff from this
site, but an acknowledgement would be nice.
Needless to say, additions
and corrections will be welcome; scans of missing labels especially.
I find that 400 x 440 (in jpeg format) for labels, and 500 x 500 for
sleeves, combines ease of handling with legibility. This site is
reachable via 7tt77@tiscali.co.uk.
Finally I'd like to thank the words, 'appears', 'seems' and 'obscure',
and the phrases, 'A Reggae label' and 'A DIY label from the Punk / New Wave
era', without which...
Copyright 2006 Robert
Lyons.