SRT
SRT began life as 'Sky
Studios', a joint venture between Dave Richardson and members of Jethro
Tull. The band members didn't stay on board long; after they left, Sky was
merged with a company called 'Truesound' to form SRT Productions
and ex-Tornados-guitarist George Bellamy was brought on board ('Music Week',
27th April 1974). SRT - Sound Recording Technology - received
its first mention in 'Record Retailer' in the issue of the
27th of November 1971, which reported that the Shefford (Bedfordshire) based company had provided
several companies with masters; product had been supplied to President,
Avenue and EMI. Singles mentioned in the article
were 'Nashville Bound' by Amanda's Band (President, PT-346) and 'Trees And Things' by
Maxwell-Nicholson (DB-8811), which appeared on Columbia via AIR.
As well as working as a production company SRT also provided facilities
for custom recordings - getting records made for artists who put tracks down in the studio or who
supplied previously-recorded tapes. In that capacity it went on to be
responsible for the production of a number of DIY Punk /
New Wave singles (on various labels), and it was still making self-financed records
in the mid 1990s. In the early years the actual SRT
label seems to have featured mostly these kind of recordings, mainly
by Club or Cabaret artists. However, 'Music Week' of the 23rd of June 1973
broke the news that the company had started to put records out on its own label:
the first two releases had come out the previous week, 'Tables
And Chairs' by the Yorkshire County Cricket Club (SRT-73300) being the first
seven-incher. SRT continued to sign acts and release records: 'MW' of the 27th of April
1974 said that a band
called Eastwood, previously with CBS, had been signed; it also gave the studio's
address as High Street, Barnet. Billboard of the 16th of November 1974 referred
to the signing of a band called the Second City Sound and reported that SRT
had had a success with a Mick Abrahams guitar tutor LP.
Amidst all the amateur things, therefore, are singles by well-known names such as the
Tornados, Jet Harris and Screaming Lord Sutch. SRT continued to issue records until at least
the end of 1982, though they tended to be few and far between latterly;
the majority of its products from 1977 onwards were custom recordings. According to
'MW' of the 1st of December 1979 a production company called
Nisbet & Beck had agreed to provide SRT with 12
singles a year, starting with Katie Menalia's 'Caravan' (SRTS-79423), but that single seems to have been the only one
to appear.
Catalogue numbers varied. For several
years they were all in the SRTS-xx000s, where 'xx' apparently represents the
year in which the recording was made: for example, SRTS-75355 was recorded in
1975, and SRTS-79424 in 1979. Recordings made at the
end of one year could be released in
the following year, as was the case with the Def Leppard EP, 'Ride
Into The Sun' (SRTS/78/CUS-232), which was recorded in November 1978 and issued in
January 1979 (on the 'Bludgeon Riffola' label; q.v.). I have yet to find
a record with a number in the SRTS-74000s, which suggests that the 73000 series was continued
through 1974 for some reason. This SRTS-xx000 series continued to be
used for what appear to be actual SRT issues throughout the '70s, but from
some point in 1974 the company adopted a different numbering system for its
custom recordngs. Initially they were numbered in the CUSTOM-000s
(10) but after around half a dozen issues the CUSTOM prefix was replaced by an SRT/CUSTOM
one (11); this was soon shortened to SRT/CUS, or SRTS/CUS
for stereo records (12). The only reference to SRT
on the labels of these custom recordings was in the catalogue numbers; a state of affairs
that continued throughout the decade and beyond. In 1977 the catalogue numbers gained a '77'
in front of the 000, becoming SRTS CUS-77000s; the extra digits were moved between
the SRT and the CUS the following year, giving SRTS/xx/CUS/000. Again
the 'xx' seems to stand for the year of recording, SRTS/80/CUS-741 being from
1980. Records which came out on labels other than SRT and had
catalogue numbers appropriate to those labels seem to have been
given an 'S' prefix instead of an 'SRTS' one to their SRT
numbers. Fairview Music Studios (q.v.) of Hull made a number of records
through SRT; these had their own SRT/FMS series, and some of them
had Fairview Music labels, so I've given them their own page. I haven't as yet
discovered when SRT started making records; I have yet to find an SRT single
numbered in anything earlier than the SRTS-71100s, so if the first two numbers
do usually indicate the year it's possible that the company started
making recordings in 1971 and that the first one was numbered
71101. Singles and albums shared the same numerical series but had
slightly different prefixes.
The earliest
SRT label that I have seen is the black-on-yellow one (1), the scan of which
comes by courtesy of 45cat.com and Ian
Pakes; this also came in red (2), orange (3) and silver-on-red. In 1973 the 'forbids'
at the bottom of the label grew in size and moved to the
top (4); the colours changed to silver-on-black or occasionally black-on-white -
the scan of the white 'non-custom' label (6) was supplied by Robert Bowes, as
was the 'SRT/CUS' one (11). The black labels seem to
have been replaced by grey ones with a picture of a mixing desk
on (8) for SRT's own issues in 1975; occasionally the word 'Records' was added above the
spindle hole (9). Sometimes the
fact that the record was a custom recording
was made clear on the label (5, 7), but not always. Plain labels in
a variety of different colours (13, 14, 15, 16) replaced the black ones on
custom pressings in or around 1977.
While SRT never enjoyed any kind of Chart
success, it appears to have built up a solid reputation and a wide
client base by getting other people's records pressed. The studios are still
in operation today (2017) - 'MW' of the 27th of April 1974 claimed that they had been
closed the previous year and that the company intended to concentrate
to its label and on its publishing arm, but the closure, if it took
place, muust have been temporary. The discography below lists the
custom recordings from the 1970s that I have been able to trace, as well as the
singles from that decade which Music Master lists as being issues. As can be seen, records with 'SRT/XX/CUS' catalogue numbers often
appeared on other (DIY) labels; singles with S/79/CUS numbers appear to always have been on other labels. Distribution
of the issues was initially by the Lugton, Enterprise, H. R. Taylor and
Solomon & Peres ('MW', 18th May 1974); later Enterprise
was replaced by Record Enterprises ('MW, 24th May 1975). From
early 1975 the company's tapes were distributed by Precision ('MW', 22nd February). As far as
manufacture is concerned, the few post-1972 SRT records that I have seen in the vinyl have been Orlake
products. Thanks to Sid Stovold for the thirteenth scan, and to him
and Stephen Small for discographical
input.
(http://members.lycos.co.uk/cattinidrummer/index-26.html)
Copyright 2006 Robert
Lyons.