RIM
Rim - Rediffusion International
Music - was a subsidiary of Rediffusion, a prominent dealer in budget-priced
records. Most of Rediffusion's products were LPs, but it
made the occasional venture into the singles market. It had six
different labels, at different times,
for its singles output: in addition to Rim there were
Rediffusion, Gold Star, Fusion, Classical Pops and Supraphon (q.v. all). Rim was the most
prolific. It had two separate incarnations, one in the
'60s and one in the late '70s. The '60s version
initially had a gold-and-white-halved label design (1), which was replaced by
a green-on-orange-yellow one (2) with RIM-8 in November 1968; at least sixteen
singles were issued, with numbers in a RIM-0
series, from 1967-69. Manufacture of the first example shown above was by British
Homophone, the second by Phonodisc. 'Record Retailer' of
the 17th of June 1968 said that Rim was the label of Rediffusion
Reditunes, Rediffusion's supplier of background music to
industry; 'RR' of the 9th of September reported that distribution of RIM
records was to switch from the British Independent Record Distributors group
to Philips, later that month. That article also said that
RIMs 9, 10 and 11 would be the first singles affected by the
deal. An advert in 'RR' of the 15th of January 1969 confirmed
that Philips was handling RIM at that time. Demo copies, which had initially been
blue with a large white 'A' (4), adopted the
Philips-style white with a large hollow red 'A' at some point after the move
(5).
RIM was shelved in 1969 and was replaced by the Rediffusion
label, which in turn was succeeded by Gold Star (q.v. both). Then
in the spring of 1979 the wheel turned full circle and RIM reappeared, this time
with a new label design (3) and with its singles numbered in the
RIM-000s. Sadly there were to be only three of them. The first numerically was
'Mountain King' b/w 'Opus 13' by the Little Trolls (RIM-001), which was a Disco version of
the well-known melody by Grieg; the first to hit the shops was Virginia McKenna's 'The
Love That I Have' b/w 'Send In The Clowns' (RIM-002) - the 'A'
side was a reissue or re-make of a song that she recorded
for Sovereign in 1974 (SOV-125). Rediffusion was responsible for its own distribution
and marketing for much of the '70s, but 'Music Week' of the
2nd of June 1979 reported that it had signed a two-year distribution deal with
Pinnacle, effective from the 1st of that month. The labels
claim that Rediffusion was responsible for manufacture as well as marketing and distribution, but while the
company had its own pressing plant, in Caerphilly, the only example
of its late-'70s singles that I have seen in the vinyl
was a Lyntone pressing. In September 1979 Rediffusion introduced the
Fusion (q.v.) label as a 'Pop' counterpart to them MOR-orientated RIM, but neither
had a lot of time left. 'MW' of the 19th of January 1980 broke the news that Rediffusion was phasing all
of its labels out and would not be producing any more repertoire.
Copyright 2006 Robert Lyons.