REGAL ZONOPHONE
A label which enjoyed several leases of
life. Regal Zonophone was formed in 1933 by the merger of Regal (one
of Columbia's labels, b.1914) and Zonophone (part of the Victor company, b.1899). It
served as a budget-priced outlet for Electrical and Musical
Industries until 1949, when it was shelved. In 1964 Regal Zonophone
was revived; in its new incarnation it featured mainly records by the Salvation
Army. Singles and EPs were numbered in the RZ-500s. The
first two had pale blue labels (1), the rest - and re-pressings of the first one
- dark blue ones (2). A second and more successful reactivation came in
1967, when EMI dedicated the label to records produced outside the EMI
organisation by Straight Ahead Productions, the company owned by Tony Secunda,
Denny Cordell and Tony Visconti. Initially the label remained
blue-and-silver (3) but with RZ-3015, in November 1968, a red label in a
somewhat plainer design was introduced (4). This remained basically unchanged
until the end of the label's existence; the introduction of a boxed EMI
logo at the bottom (5) in November 1971, with RZ-3041, being the only
development that springs to the eye. There was an adjustment
to the perimeter text in the autumn of 1973, when the reference to
'The Gramophone Co.' at 8 o'clock was replaced by one to 'EMI Records' (6, 7).
This was in line with a change which was applied to most of the EMI group
labels at or around that time. Demos from 1966 onwards were mainly of the 'large red
'A' type (11) but there were exceptions (10). Straight Ahead had exclusive
use of Regal Zonophone for three years; they brought The Move, Procol
Harum, Joe Cocker and Tyrannosaurus Rex to the label, and all of them had
Singles Chart successes, with the Move in particular proving popular in that
area. When that firm took their acts and their productions
to David Platz's newly-formed Fly label, in 1970, Regal Zonophone's fortunes
dwindled. It continued to act as an outlet for non-EMI-produced
records, with companies such as AIR, Red Bus, Purple and Visconti's new Good
Earth concern all supplying product, amongst others, but successes were
few. Geordie took the label into the charts one last time, in 1972, with
'Don't Do That' (RZ-3067), but the end was near. The birth of the EMI
label in 1973 led to the eventual death or hibernation of some of the old
labels, Regal Zonophone among them. It rose from the grave briefly to
serve as the vehicle for a one-off album and single by Paul McCartney (under the
alias of Percy 'Thrills' Thrillington) in 1977; the single, 'Uncle Albert' was
given a number from the main EMI series, EMI-2594 (7). The
'Zonophone' marque was resuscitated again in the '80s - as a Punk / New Wave
label, of all things.
Copyright 2006 Robert Lyons.