HOLLICK AND TAYLOR
The custom recording label
of the Hollick & Taylor studios of Birmingham, and
thus an elder sister to Grosvenor
(q.v.). The type of music which appeared
on Hollick and
Taylor seems in the main to have been the same kind of thing which appeared on
other pay-to-record labels: discs by school and church choirs, club / cabaret artists, brass bands,
and so on. Occasionally some of those artists had recorded, or would record, for
other companies: the Rockin' Berries (7) and the Fortunes had had
a number of hits, and Renato Pagliari (5) eventually teamed up with Renée
and had a number one with 'Save Your Love' in 1982.
The band called Unicorn which made 'Going Home' (HT/SP-1258), however, was not that
which recorded for Transatlantic - thanks to Neil Murray for that information. Singles and EPs shared the
same 1000 numbering; EPs were prefixed HT/EP with an additional 'S' if the record
was stereo, while singles had an HT/SP prefix, again with the
conditional 'S'. The Hollick and Taylor studios started up in
the early '60s; the earliest record that I have been able to date
was from 1964 but there were many others previous to it. Early labels had
a striking yellow-and-black-and-white design (1, 2), which lasted until at least HT/EP-1101 and
appears to have been used for some time after that for
the company's tape-to-disc service. The simpler green-on-white design (3) which followed it seems not
to have lasted for long, and was replaced by a more
professional-looking one which came in various colour combinations (4). The 'company sleeve' (9) is from
1977, and is blank on the front. The first scan is numbered HT EP
1094; at a guess it dates from the mid '60s. See also the 'Highland Arts' and 'Gallery' labels.
The few 7" Hollick & Taylors I have been able to track down
are listed below. Pressing of those that I have seen in the vinyl
has been either by British Homophone, Decca or Orlake. Thanks to Christophe of Inoxydable Records
for the scan of the pale blue-green label and for discographical
input.
Copyright 2006 Robert
Lyons.