BUENA VISTA
One of the Walt Disney Studios labels,
alongside Disneyland, Disneyland Doubles and Disneyland Super Six (q.v.
all). Buena Vista was described in 'Record Retailer' of the 17th of
July 1968 as Disney's 'more adult' label, intended for soundtracks and the like.
It enjoyed a long life in the USA, issuing 7" records from the late 1950s into
the mid '80s, but it arrived on these shores later and disappeared earlier: it
made its British debut in October 1967, with Tommy Steele's 'Fortuosity' b/w
'I'm A Brass Band Today' ('Billboard' 14th October) and put its last single out in the mid '70s. Numbering was in a DF-400 series, which reached DF-483 in
1972. Where there were American equivalents the number part was taken from
the American issue, the original 'F' prefix being replaced by 'DF'; many records
from the American series were not issued over here, which may account for most of
the gaps in the discography below. There was also a four-track EP of 'Jungle
Book' songs of uncertain date (4); it was numbered BVE-201, and it seems to have
been the only one in that series. The last DF-400 single came out in
February 1972, but Buena Vista made a brief return in 1974-75 with three more
singles: these were numbered in the BV-0s. As 'RR' indicated, the material on the
records consisted mainly of songs lifted from Disney films.
As far as
manufacture and distribution are concerned, Buena Vista went along with the other labels in the
Disney stable. Initially EMI acted as distributor, but 'Record Retailer' of
the 12th of March 1969 reported that Pye would be taking over from the end of
that month. Both of these agreements seem to have been only for
distribution, with Disney getting its pressings done by various companies;
unsurprisingly, however, EMI appears to have done a lot of manufacturing for
them while it was handling the distribution side of things. British
Homophone was responsible for some pressings; these had distinctive
three-pronged push-out centres (4, 5).
Disney stayed with Pye for a couple
of years before signing a three-year pressing and distribution deal with CBS in
April 1971 ('RR', 10th April). The move to CBS saw the previously purple labels
(1) turning black and the logo increasing in size slightly (2). When the
agreement with CBS expired, at the end of April 1974, Disney returned to Pye in
another three-year deal, this time a licensing one ('Music Week', 20th April).
At the time of the move Buena Vista's singles were given the new numerical
series mentioned above, and the label underwent a change in design, with the
logo being altered slightly and the Pye logo being incorporated (3). In
addition, each single had promo copies made: they were marked with a
medium-sized 'A' and the appropriate text (6). Previously, on the
few occasions when there were demo copies of singles their labels were in the
CBS style (5). Under the licensing agreement, pressing and distribution
were done by Pye themselves. Buena Vista singles tended to come in either plain white
sleeves or picture ones, the latter sometimes imported from the USA. I am
reliably informed however, by someone who owned one from new, that some copies
of Anne Shelton's 'It Won't Be Long 'Til Christmas' b/w 'The Christmas Star'
(DF-476; 1969) came in the patterned sleeve shown above (7). This may be
as close as Buena Vista ever came to having a company sleeve in this country.
Copyright 2006 Robert
Lyons.